1829-1880 German Anselm Feuerbach Location German painter. He studied in Germany, Paris, and Rome, spending much of his life in Italy. He sought to produce works of pure classicism that were both didactic and idealistic. Most of his famous works belong to his Roman period (1856?C73), including Battle of the Amazons (Nuremberg), Iphigenia (Stuttgart), and Medea (Munich). His portraits have withstood critical opinion better than his history paintings. His autobiography (1882) emphasizes his misunderstood genius.   Related Paintings of Anselm Feuerbach :. | Iphigenie II | Art hall national the Gastmabl the Plato | Self portrait | The Banquet 2nd Version | Die Amazonenschlacht |
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Tilly Kettle
(1735-1786) was a portrait painter and the first English painter to work in India. He was born in London, the son of a coach painter, in a family that had been members of the Brewers' Company of freemen for five generations. He studied drawing with William Shipley in the Strand and first entered professional portraiture in the 1750s. Kettle's first series of portraits appeared in the 1760s. His first surviving painting is a self-portrait from 1760, with his first exhibit at the Society of Artists in 1761. In 1762, he worked at restoring Robert Streater's ceiling fresco in the Sheldonian Theatre, Oxford, and painted Francis Yarborough, a doctor of Brasenose College, Oxford in 1763. He painted many members of the family of William Legge, 2nd Earl of Dartmouth. In 1764-5, he was active in London and continued exhibiting at the Society of Artists. In 1768, Kettle sailed to India with the British East India Company, landing at Madras (now Chennai), where he remained for two years. There, he painted Lord Pigot and Muhammad Ali Kahn twice (once alone and once with five of his sons). He also painted non-portraits, including Dancing Girls (Blacks) in 1772 and a suttee scene in 1776 entitled, The ceremony of a gentoo woman taking leave of her relations and distributing her jewels prior to ascending the funeral pyre of her deceased husband. In 1770 Kettle painted a half-length portrait of 'Sir' Levett Hanson, a peripatetic writer on European knighthood and chivalry originally from Yorkshire. (The portrait is now in the collection of the Bury St Edmunds Manor House Museum.) Kettle moved on to Calcutta (now Kolkata) in 1771 and painted Shuja ud-Daula and Dancing-Girl Holding the Stem of a Hookah. In 1775,he painted George Bogle, Warren Hastings' emissary to Tibet, in Tibetan dress, presenting a ceremonial white scarf to Lobsang Yeshe the 5th Panchen Lama.He also took an Indian mistress and had two daughters by her.
LONGHI, Pietro
Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting.
Johann Michael Franz
Seine Eltern waren der Zimmermeister Jakob Franz , und Anna geb. Lueger. Seine Ausbildung genoss er im Umkreis des Augsburger Reichsstädtischen Kunstakademiedirektors Johann Georg Bergmuller (Bergmiller) (1688-1762); nach eigenen Angaben schloss er sie 1733 ab.